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I have been wondering why this stamp is not included in PyR I ? As to the shape and thematically it rather belongs there although I can imagine that the late appearance is responsible for not including it.... Being new to Argentina philately this just strikes me! Me he estado preguntando porque esta estampilla no esta incluida en PyR I? Tanto el formato y la tematica haria pensar que pertence a dicha serie, sin embargo me imagino que se debe a la aparicion tardia de la misma. Ser nuevo en la filatelia argentina me esta volviendo loco The 20c Guillermo Brown has 2 types that aren't recognisable from the Tello Meggia catalogue. J. Holler points out to the vertical lines under the portrait not reaching the horizontal line just above the name-box. But nobody tells you what type the reduced sized stamp has! El 20c Guillermo brown tiene 2 tipos que no son diferenciables por el catalogo MT, J.Holler indica que las lineas verticales de abajo del retrato no llegan a alcanzar la linea horizontal justo arriba de la caja que contiene el nombre. Pero ninguno hace diferencia en el tipo para el sello de tamaño reducido
The blue arrows point to the very thin horizontal space between the thick "vertical" lines and the horizontal line above the box: Las lineas azules apuntan al pequeño espacio entre las lineas verticales gruesas y la linea horizontal de arriba del recuadro. 
The others - both the original sized and the reduced sized do not have this interval: Las otras, tanto el tamaño original, como el reducido no tienen este interespaciado.
I have been wondering why this stamp is not included in PyR I ? As to the shape and thematically it rather belongs there although I can imagine that the late appearance is responsible for not including it.... Being new to Argentina philately ithis justy strikes me! The 4c Guillermo Brown has 2 colours that seem to have the same thin horizontal space above rthe name-bxo as the 20c.
However, the 20c G. Brown has 3 types that are hardly described in the catalogues and partly by means of the difference in size. Measuring the size can be a less favourable task. Especially when we have other ways of establishing the types! type I: thin horizontal white line + purple horizontal lines touch the shoulders:
type II: NO thin horizontal white line + purple horizontal lines touch the shoulders:
type III: NO thin horizontal white line + purple horizontal lines do NOT touch the shoulders:
GOOGLE: He descrito las diferencias y similitudes entre los tipos de los Sarmiento 1c DF y las de los sellos G. Brown: Sin embargo, el 20c G. Brown tiene 3 tipos que apenas se describen en los catálogos y en parte por medio de la diferencia de tamaño. Medir el tamaño puede ser una tarea menos favorable. Especialmente cuando tenemos otras formas de establecer los tipos! Tipo I: delgada línea blanca horizontal + púrpura líneas horizontales tocar los hombros: tipo II: NO delgada línea blanca horizontal + púrpura líneas horizontales tocar los hombros: Tipo III: NO delgada línea blanca horizontal + púrpura líneas horizontales NO toque los hombros: Rein |
In reduced size: [color=#800000]En el tamaño
reducido[/color]
I would say that type II should be the one that also
appears in a reduced size.. [color=#800000]Diria que el tipo II es la
que tambien aparece en la de tamaño reducido[/color]
and also the green stamps have it:
I have described the differences and similarities
between the types of the 1c D.F. Sarmiento and those of the G. Brown
stamps:
